a laboratory. Since 1970, King Crimson has been a great laboratory of music and poetry, experimental and progressive rock ("Rock Art" is the definition adopted in Anglo-Saxon world), Graphics of insights into unforgettable covers. The band's founder, Robert Fripp , now considered the soul of group, is the real "King Crimson". The band was founded with the name "Giles, Giles & Fripp" as a trio, Robert Fripp, guitar and mellotron, brothers Mike and Peter Giles, drums and bass respectively. Success is not exciting. The group changed its name to King Crimson, and even training: leaves Peter Giles, Ian McDonald arrives sounding brass (not just saxophone and flute, but also the clarinet) and keyboards, which will soon be joined Greg Lake (in for Peter Giles), electric bass, acoustic guitar and vocals and Peter Sinfield, who, though not a musician contributed to creating music with his Sibylline texts and especially by manipulating lights in the shows live.
" In The Court Of The Crimson King " is the first effort of the Crimson King, a work that will inevitably be a microcosm of its own, despite the impeccable work done by the band as a result of Robert Fripp. Surreal and enchanting, romantic suites long and complex sonic architectures mark an album that, after all these years, still manages to look modern. Almost hear the scream schizoid man, looking at the image transformed cover of this absolute masterpiece of progressive British rock. Barry Godber (the artist who created this page) can, through its depiction of grotesque, to create inexorable whirlpool that, starting from the mouth of the "prophetic monster, reaches the ear of the listener.
" In The Court Of The Crimson King " is the first effort of the Crimson King, a work that will inevitably be a microcosm of its own, despite the impeccable work done by the band as a result of Robert Fripp. Surreal and enchanting, romantic suites long and complex sonic architectures mark an album that, after all these years, still manages to look modern. Almost hear the scream schizoid man, looking at the image transformed cover of this absolute masterpiece of progressive British rock. Barry Godber (the artist who created this page) can, through its depiction of grotesque, to create inexorable whirlpool that, starting from the mouth of the "prophetic monster, reaches the ear of the listener.
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